Genre: Experimental Jazz
"Love Expresses itself in Curiosity"
Wow, Mano, Mano do I like this recording. I guess you call “Love, Press Ex-curio” jazz fusion (You couldn’t call it anything else) but it dishes some really hip fusing. Upfront, this isn’t something that a “ jazz combo could play, unless you included all kinds of digital gizmos. Call it jazz-fusion electronica. But don’t let the electronic part fool you, this album showcases sock-melting “acoustic” instrumentals expertly twined with ambient elements and dancing keyboards. The only album I know to compare it to is an album by “movie-scape artist Mark Isham and his interpretations of Miles Davis numbers.
As for this work, the only supporting musician's name I am familiar with (by association) is Ravi Coltrane, son of Jazz legend John Coltrane. (However that doesn’t mean anything since I can only name a handful of jazz artists) ((Turns out after reading a far better review than this, that I simply am ignorant. Charlie was able to marshal the talents of several world class jazz musicians whose names those in the know, know.))
As for Charlie, most folks know him as a recording artist and veteran producer in the Christian Pop/rock arena. Even so, much of his “regular” music stands outside the bounds of the Christian Radio industry. He has a strong ear for quirky instrumentals, R&B and jazz dallies. This album slightly references his experimental pop album “Strange Language” (and a sampler album with artists he produced) but pushes in a whole new direction. (I bet Charlie has wanted to do this for years as he has referenced John Coltrane in several songs. All in all, and with a limited musical palette I hear Coltrane, Davis, Mark Isham, Chuck Mangione, Marcus Roberts, Glass Harp, Stravinsky!... and Peacock! Great album for those who hear outside the lines.