Showing posts with label Joanne Hogg. Show all posts
Showing posts with label Joanne Hogg. Show all posts

Friday, January 2, 2015

Greatest Albums 2014


Kirk's 12 favorite albums for the year 2014.   (You will see my tastes run gospel-centric - not so much as a sound, but as the fountain of inspiration.  

This was a very good year.







Uncountable Stars: Joanne Hogg   
Longtime frontwoman for the Celtic-fusion group Iona, Joanne Hogg strays from her normal sound territory (of incredibly beautiful, delicate and somewhat melancholy chamber piano) with an offering that is at once jubilant, amorous, and even frightening.  Joanne writes with a heart saturated with the very cheer and wildness of God.  See my earlier review here.   Or sample some of her music here.  (not my favorite song, but the only one I could find.)   Or find her on Spotify here.

(Should I pick my absolute fave of the year, this would be it.)


Winnowing: Bill Mallonee 
There are just SO many adjectives you can use to describe the music of Bill Mallonee -  tender, bitter, strident, vulnerable, faithful, doubtful, deep, dark, confessional, fully alive etc - cause over the course of many years he has tapped pretty much every kind human emotion.  Even so, the Winnowing is just extra dimensional.  I love the slowed-down almost regal pace of this autumnal work.   Review here:   Or hear the album on his Bandcamp site here.


Crimson Cord: Propaganda
Propaganda was introduced to the world as spoken word artist, Now he turns his attention to dallies with sound.  Man, do I love this guy's intensity.  (Propaganda manages to work through all kinds of novel themes, from cell-phone idolatry, God's management or purpose for evil, and even white-angst in the race arena.  I have yet to write a review but you can hear Propaganda's EXcellence here, or download his music from Noisetrade here.


All Creatures: Jacob Montague
A genuine "Noise-trade" surprise.   My mind, my spirit, go absolutely bonkers with creative possibilities everytime I hear this song: In Him was Light.  (This may be my favorite song of the year.   Read my mini review here, or hear more here.


There's a Light: Liz Vice 
Liz was born almost forty years late.  Except she wasn't.  We need a glorious re-discovery of the Mo-Town sound, made all the more lovely with gospel applications.  I simply adore this woman's voice, attitude and timing.   Read my mini-review here, or hear a glorious rendition of Empty Me Out. (Then download her album here.)




Instruments of Mercy: Beautiful Eulogy
Could it be that a 55 year old white man is listening to and loving rap.  Well sorta.  Not just any rap, but I have found a special niche inside of rap, with folks like Propaganda,  Sho Baraka, and Beautiful Eulogy - who specialize in bringing outside influences (jazz, choral, chamber insturmental etc) to the medium.   Instruments of Mercy is theologically rich (Augustinian) and given to a sound that is part rap, part Oregon coast new music upright pianno-grunge.  Watch a video clip here,
Or listen to the WHOLE album here:  or download it here.


Let us Run: Arthur Wachnik
This would be my only "praise album" of the group.  (Actually not,  but in the most immediate sense) But what Wachnik does is run his praise through some kind of gypsy, zydeco, klezmer, modern music filter, that just lifts this stuff to a whole new plain.   Think of David dancing in his underwear. Or maybe not.  This stuff will make kick your heals.  Video here.  NoiseTrade download here.  Mini Review here.


Broken Gazing - Jeff Johnson (of Ark Music) 
I tried to say this somewhere else, but sometimes I think of the liturgical church as producing works of great beauty, but which are sometimes lean of passion, while the low church is given to bold dallies of the heart, but not so much to transcendent beauty.   In this album, Jeff captures all exquisite beauty of the liturgical world, and does so with the heart of a revivalist.  I couldn't find any video samples of Jeff's new album to show you, but here are two links to earlier works that catch the spirit of his music.   Watching Clouds or,  Christ has Walked this Path  But then, you can sample quite a bit right at his own site:     Or read my review here.





These are the Days: Mo Leverett
Stripped down, autumnal folk, from a man who has been through the wringer... and now thanks the friends who have journeyed with him.  I think of Mo as part pirate, part old-world Puritan, and part gash in the tent of heaven.  He is a breath of fresh air, in a world of high production-pretty music.  No new music samples for Mo, so you get this medium-new one. It's Alright.  Review Here:


VA: The Last Bison
Should I pick one band for raw sound-craft -- passionate delivery, and period costumes - The Last Bison remains my favorite Mountain-jamboree New Music band.  Ever. This family and friends operation is the band I keep waiting to be discovered.  But I guess we are going to go for one discovery at at time.   Listen to a "bad" road song here.  Or,  You can read about the time the Bison folk stayed in my home here, or read and sample music in my review of VA, here.


It's Christmas Time: Carolyn Arends
Easily my favorite Christmas album of 2014, and made all the easier because Carolyn just exudes sanctified femininity.   (She is charming, funny, thoughtful, and sentimental (in the best of ways.)       This music shimmers with old world sound craft (ie, dulcimers, banjo's and such) and packs some big thoughts along the way.   Album review here.  Other folks who agree with me here:)



20: Jars of Clay
Twenty years in the business, Jars let the fans pick their favorite songs from 10 ten albums (roughly two per album) then performed the lot in a stripped down acoustic style with hints of jazz.   This is pure melancholy ambrosia (for those who are given to such) and lets me hear words in some of these songs that I never heard before.   (I started to say something about the spiritual journey of lead singer Dan Haseltine, then scratched it.)   Suffice it to say, I have deeply appreciated Dan's transparency as he wrestles with his place in the kingdom.  There is nourishment here, even for Dan.  No review yet, but you can read what others say here.












Tuesday, August 19, 2014

Joanne Hogg - Uncountable Stars

Artist: Joanne Hogg
Release: August 2014

Quick Spin:   I keep rewriting this little quick spin, cause I want to get it right.  What can I say?  This treasure of an album by UK vocalist Joanne Hogg is so utterly tender and lovely and good … even at times vivacious, that I feel like a portion heaven has been downloaded into my heart.   Were it in my means, I would buy this disk for everyone I love, and whom I would want to know the extravagant love of the Eternal Groom.  I am swooning within.




 *****

Do you ever open an album (or a trifold CD) literally jittery with excitement, because the PACKAGING  itself is just so lovely.  I am not sure how mere cover-art did it, but the before I ever heard a sound I knew that something here is -- or will be  -- extra magical.  (I don't mean to scare anyone with the ‘magic” word… I should say extra-ordinary glory spangled!)

First,  a Kingfisher… in suggested spray, which in turn, looks like the stars echoed in the album title:  Uncountable Stars.

Then I open the fold and spy the title poem.

Gazing Up at
Uncountable Stars
Unimaginable Glory
Unfathomable Mercy
Unconditional Love
Unhindered Freedom
Uncontainable Joy
Undeserved Favor
I am
Undone under the Unfailing
Arms of God



There’s is something in those very words that warms my heart like a love letter… I haven’t even heard a note, and I am already primed for rainbows round the throne room. 

As is, I own the larger body of Joanne Hogg’s works, most in her association with the band Iona.  I also own a couple of her solo works, so I kind of know what to expect when she sings with her band, or how her presentation changes when she sings solo…I am expecting something, minor, sober, elegant, refined and pensive…decidedly acoustic, build on a foundation of classical piano.

I start the disk…

What’s this?  
Utter surprise.

Waiting….
Wonked out.

          Yes.

This is working.
Really really working.


Sheer extra-ordinary glory saturated sounds… but with a MUCH different feel than anything I have heard sculpted by Joanne’s gifted vocal chords.


The music has all the sophistication and beauty I would expect, but it is charged.  Like  -- with electricity.  (Literally and Metaphorically).   I am hearing passion …  and play, Beauty with a capital B… even something bold and strident.   Can we use the world Amorous?   I am not sure I will get the right string of adjectives, because the moods and vocal approaches from song to song vary substantially, and  I would have to make a list for each song.


Ps.  I am writing this live, even as I listen.  I just hit track 8, Mountain of Debris… and I am stunned.   My mind is racing with all kinds of visual images.  Surreal images, dark and swirling… I want to use this track for a time lapse… I see images of deserts and death… and healing and things which are broken coming together… but mostly., there is one big idea hidden here, and behind these many tunes.

I am hearing in each song, saturating this disk… the extravagant mercy of God.

--

Not sure I want to do a song by song evaluation, and I am hoping there are places you can go to sample this music if you are unfamiliar.

But let me cut to the chase.

This album offers things I have never heard before. (Sometimes in Joanne, sometimes ever)

First... New vocal treatments, sometimes brassy or charming... the softness is still here, but with all kinds of new colors in this collage.

Another reviewer compared the tilt in sound on a few tracks to something like "Florence and the Machine."  I hear that edge, but I hear too, billow clouds.. and a track the feels almost Indian) 

The poetry is earth bound (anchored in creation) but fused with heaven too.

The writing is first rate.  transparent, with flourishes of concrete detail.

The styles are genre defying, ranging from jazzy ballads to ambient pop to stage-musical  (Most of the tunes are asymmetrical, (meaning they don't follow a traditional verse chorus verse chorus style.)

I am hearing a freedom of expression I have never heard in Joanne before.  

I feel all glowy inside. 

There are some things (in the world in general) which are powerful, but not good.  This album is potent, amorous, sensory … and baptized in goodness.

I feel held.

This may be the best album in the history of the world.   (Make that in the top 20 anyway.)

--

Not much of a review.  But you get the picture.



Ps.  Now hearing second to last track.  Lay down.   Oh Oh my.  This is silky gorgeous.   I suspect it may just be a "regular love song"  but I hear in it kind a double edged application.  I have in my life heard many songs sung to Jesus.   And I have heard many more love songs sung by men and women to each other.

Now I have heard a song that sounds like Jesus singing to me.  (No Gender confusion here. I hear Joanne as the Male, and me  -- the male --  as the bride.)  I am wearing white, and we have just been married and Jesus is taking me on a picnic.   (Okay, that sounded weird….)
--

Now on about my fifth listen.  Hearing new things each time.   There is a darker hue to some of these songs than I heard in the initial listen.   New impression... A soul, waking out of heavy season of soul, into glorious light and freshness.

Ps. Ps.  I was going to say more about the writing, but I have already loaned out my disk.





Itunes: for sampling.. though best to order the disk from Jo directly.